Going through the photographs of my cataloguing project at Erddig again over Christmas, I stumbled upon an image of this lovely rocking seat, originally located in the Nursery. As I mentioned before, Erddig is very similar to Calke Abbey: both houses are full of stuff! As with children’s books, much-loved children’s toys tend not to survive, but Erddig is very fortunate to have a large collection of nineteenth and early twentieth-century children’s toys and books. Continue reading →
In this post, we return once again to Hatfield for a further selection of highlights from Lord Salisbury’s splendid book collection. This gilt-stamped image of Queen Elizabeth I is a poignant reminder of her close connections with Hatfield and the Cecil family. Continue reading →
“Read with much fun in 1911, LMY”. Whether this was meant as a sincere expression – or not – of her appreciation of the “indifferent verse” written by Maria Eleanor Vere Cust, her husband’s cousin-once-removed, Louisa Yorke clearly left one of her trademark comments after reading the volume. “Indifferent verse” is how Maria Cust’s biographer describes the poetry presented in Lucem sequor and other poems (1906), and to judge from an earlier privately printed publication, Songs of sunshine and shadow (1903), the comment is fairly apt. Both works at Erddig are inscribed to Maria’s father, the orientalist Robert Needham Cust, for whom she worked as a secretary. Although the name “Cust” appears infrequently in the Erddig book collections outside the Library, it highlights the continuing connections between the two families. Continue reading →
The survival of children’s books is sometimes one of the great strengths of country house libraries. How many of us still have the books we read as kids? How many books survive the rather unpractised handling skills of young children (my favourite book certainly didn’t make it unscathed…) or the pens, pencils, paint, food, bath water to which these books might be subjected?
Chances are that if a historic children’s book hasn’t become part of a museum or library collection, the odds are much against it. In the past, I’ve catalogued small numbers of nineteenth-century children’s books at Calke Abbey and I was really pleased to find some at Erddig. Continue reading →
Quick post this week again – sorry! I’ve just started at Erddig, a few miles across the Welsh border near Wrexham, for a six-week book cataloguing project. I hope to continue blogging about items in the Hatfield collection, but also to post a few images from this National Trust property in due course. Continue reading →
Printers’ device used by Johannes and Hieronymus Froben
About a month ago I promised to write about some of the highlights in the collection of Hatfield House where I’ve been doing a library survey. Going through my photographs again, my attention stuck to the Froben edition of St Augustine’s complete works I mentioned in that earlier post. Apart from still being in a contemporary pig-skin binding, it is also interesting for being the final project with which Johannes Froben (ca. 1460-1527) was involved before he died. His eldest son, Hieronymus (1501-1563) took over his father’s business (and there are two publications from the early 1520s to suggest he was already active in his father’s workshop) and finished the Augustine edition after his father’s death. Continue reading →
Over the past two months, I’ve been immersed in the wonders of the Hatfield House book collections. Assisting my colleague Peter Hoare, Historic Libraries Consultant, our brief was to examine the whole historic book collection and to provide an insight into the age, publishing geography, subject matter and provenances of individual books. We also looked (very superficially) at the physical condition of the books, although a professional conservator will be asked to provide more detailed observations. Continue reading →
Having just finished another round of cataloguing at Calke Abbey, I thought I’d show you some of my highlights. With the books in the main library fully catalogued (and in the process of receiving conservation treatment – see my last post), I am concentrating on the stores, where there are another ca. 5000 books. Being Calke, when the National Trust took on the property in the mid-80s, there were books everywhere. Some of the spirit of the chaos still permeates the house (posing an interesting conservation challenge of showing a country house in a frozen – permanent – state of decline). Continue reading →
All text and images have been created by Danielle Westerhof, unless it is specifically indicated otherwise. Feel free to share, but refer to this site as your source.
The header image was taken from Wikimedia commons and was released into the public domain by its creator.