Title page of Procopius’ collected works (vol. 1), printed in Paris in 1662, now at Hatfield House. Reproduced by kind permission.
In provenance research – the study of evidence of previous ownership of items – bookplates and other ex-libri can be a great resource. Taking into account that these plates could sometimes be recycled or added considerable time after a book had entered a collection, the identification of the individuals behind the bookplates can nevertheless be really rewarding. This is especially the case when plates turn up unexpectedly in unrelated collections or when we know for certain that the owner’s collection was dispersed.
This week’s bookplate turned up in the library at Hatfield House, pasted into an edition of the collected works by the 6th-century Byzantine scholar Procopius of Caesaria, printed in Paris in 1662-3 (fol., 2 vols.)
In this post, we return once again to Hatfield for a further selection of highlights from Lord Salisbury’s splendid book collection. This gilt-stamped image of Queen Elizabeth I is a poignant reminder of her close connections with Hatfield and the Cecil family. Continue reading →
Printers’ device used by Johannes and Hieronymus Froben
About a month ago I promised to write about some of the highlights in the collection of Hatfield House where I’ve been doing a library survey. Going through my photographs again, my attention stuck to the Froben edition of St Augustine’s complete works I mentioned in that earlier post. Apart from still being in a contemporary pig-skin binding, it is also interesting for being the final project with which Johannes Froben (ca. 1460-1527) was involved before he died. His eldest son, Hieronymus (1501-1563) took over his father’s business (and there are two publications from the early 1520s to suggest he was already active in his father’s workshop) and finished the Augustine edition after his father’s death. Continue reading →
Over the past two months, I’ve been immersed in the wonders of the Hatfield House book collections. Assisting my colleague Peter Hoare, Historic Libraries Consultant, our brief was to examine the whole historic book collection and to provide an insight into the age, publishing geography, subject matter and provenances of individual books. We also looked (very superficially) at the physical condition of the books, although a professional conservator will be asked to provide more detailed observations. Continue reading →
All text and images have been created by Danielle Westerhof, unless it is specifically indicated otherwise. Feel free to share, but refer to this site as your source.
The header image was taken from Wikimedia commons and was released into the public domain by its creator.
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